He was weak…
…because he had no history.
It took me seventeen rewrites (and one editor) before this dawned on me.
The reason my readers could not get immersed in my story – was because my main character had a weak backstory.
I could tell you everything about him…
- The shape of his face
- His most powerful values
- How much money he had in his pocket
But without a backstory, this character was dragging down the entire story. Let me show you how to fix this problem:
Continue reading How to Write the Perfect Backstory for Any Character
Good dialogue will punch you in the chest.
It will swing like a fist out of the dark, and when it hits it will make your heart stop.
But when writing dialogue, most writers miss. Even professionals make some major mistakes (I’ll show you a few examples in a minute).
There are five things you need to stop doing when you write dialogue…
Fix these, and you will write dialogue that will smack your readers right in the emotions:
Continue reading 5 Ways You’re Writing Your Dialogue Wrong
I missed out.
I never read Hemingway when I was young. I’m glad I fixed that, because I was missing out.
In Hemingway’s Hills Like White Elephants, you quickly become acquainted with his powerful use of subtext and rapid characterization.
In For Whom the Bell Tolls, you can watch the writer peel away the layers of his characters, and his world.
I picked up 7 powerful lessons on writing more immersive dialogue from Hemingway’s 20th Century masterpieces.
Let me show you what I’m talking about:
Continue reading Hemingway’s 7 Tricks to Immersive Dialogue